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Review Excerpts
The Believer Magazine – October 2007
“The World Made Straight really is engrossing—indeed, the last devastating
fifty-odd pages are almost too compelling… It’s a satisfyingly complicated
story about second chances and history and education and the relationships
between parents and their children… Rash manages to convince you right from
the first page that his characters and his story are going to matter to you…
it’s an enviable skill, and it’s demonstrated here so confidently, and with
such a lack of show, that you almost forget Rash has it until…your own sense
of well-being is bound up in the fate of the characters.”
-- Nick Hornby
The Bloomsbury Review – July/August 2006
“Illuminating...dark... yet big-hearted, even funny and always moving… Ron
Rash’s third novel is a powerful, and at times hair-raising, story of
historical loss and recovery… a brilliant reminder that the past is often a
prologue for our contemporary challenges... Steeped in the rich language and
lyricism of Appalachia that has won Rash national acclaim as a poet, World
Made Straight joins Toni Morrison’s Song of Solomon as an important lyric
page turner for our times; an American masterpiece about the power of
unresolved history to shatter, subvert and ultimately heal our
heart-breaking attempts to understand our identities and own times.”
The Atlanta Journal Constitution – May 14, 2006
“Ron Rash writes some of the most memorable novels of this young century and
brings to the task a poet's love of language and a short story writer's
sense of gripping plots. Rash's third novel, The World Made Straight,
establishes him as one of the major writers of our time. It further
demonstrates his ability to tell a contemporary Appalachian story that is
strongly rooted in that region's heart-rending past. Rash is a supreme
master at revealing character through dialogue... His knowledge of his own
Appalachian roots... paired with his keen observation of people... enable
him to craft fiction that is at once uplifting, harrowing and
unforgettable.”
-- Donald Harington
The Post and Courier, Charleston – May 7, 2006
“In North Carolina novelist Ron Rash's The World Made Straight, even in the
21st century, the shadows of the Civil War still taint the ground in the
North Carolina hills… Rash paints the beauty of the mountains vividly. The
sun flooding over the rims turning the black valleys gold, the speckled
trout flashing in the water, are visions Rash makes sing to the reader… Rash
creates a forceful reality, and his skill and style establish him as a
powerful writer. He ties shadowy past and harsh present with a vine as
strong and pervasive as kudzu.”
-- Anne Moise
Los Angeles Times – May 3, 2006
“Exhilarating… Rash is too fine and knowing a writer to allow even a hint of
folkloric sentimentality to intrude… The World Made Straight reminds us of
the sort of compelling literature a brave artist can fashion from the shards
of... experience. It is less the literature of a post-apocalyptic landscape
than it is one in which life, searching for reconciliation, continuously
recapitulates the apocalypse in ways both social and personal. The necessary
but heartbreaking end to Rash's novel suggests that while the intellect
never can be wholly reconciled with history's facts, hearts can be — if only
ambiguously so.”
-- Tim Rutten
The Charlotte Observer – April 30, 2006
“Chilling… ambitious… shattering… [Rash's] novels are complex and
compelling, told in graceful, conscientious prose, and "The World Made
Straight" is his finest yet. Here, he deftly braids past and present to
place, his own literary place, the southern Appalachian mountains, where
stubbornness is a virtue, justice is brutally Old Testament and trespassing
is a sin. The larger questions become moral ones, of safety in numbers and
personal salvation, what it means to save somebody other than yourself, and
what changes about the world if you do.”
--Ashley Warlick
Bookpage – April 2006
“In The World Made Straight, Rash – like his Southern Gothic ancestors
William Faulkner and Flannery O'Connor – offers readers a powerful story
about families and individuals troubled by subtle evils, persistent
violence, malignant fear and the relentless encroachment of the past upon
the present. At the same time, however, this highly recommended novel,
vividly enriched by clear, concise prose, also becomes a beautifully
rendered palimpsest of memory in which the brooding presence of buried
regional and family history is finally overcome by the cathartic power of
truth and sacrifice.”
-- Tim Davis
Booklist – February 15, 2006
“Part melancholy historical novel and part high-voltage thriller, this third
novel from the talented Rash will appeal to readers who like their suspense
done with literary flair.”
-- Joanne Wilkinson
Publishers Weekly – January 30, 2006
“Rash’s finely wrought third novel follows the wayward trajectory of high
school dropout Travis Shelton, who stumbles on a neighbor’s crop of
marijuana while out fishing in Madison County, N.C. Rash’s vivid prose
depicts his characters’ dependence on drugs, alcohol and hell-raising with
sympathy, rendering their shared sense of futility and economic entrapment
without sentimentality or easy answers.”
Kirkus – January 15, 2006
“Thoughtful… Civil War ghosts hover over a scrappy teenager and his
surrogate father in a Southern tale that mixes suspense, coming-of-age and
historical elements.”
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